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Melissa Dinwiddie | Create the Impossible™ | Innovation Keynote Speaker & Consultant
Empower your team to innovate on demand. Melissa Dinwiddie helps tech leaders Create the Impossible™ through playful, interactive workshops and keynotes. Unlock breakthrough creativity today.
On October 11, 2013, I gave myself a challenge: every day for the next year, I committed to filling a 3x5 card to a one-word prompt, and posting it here.
Why? To make sure I wrote every day, even just a little bit. To prove to myself I could follow through on a long commitment. To desensitize myself to the fear of sharing something that isn't perfect (and may well be mediocre, or even downright crappy).
Below are all 365 cards (some of which I actually like!) Read the background story, and card #1, here.
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I’m in her lap, on the big bed with the velvet green bedspread and velvet green cushions. Surrounded by softness–the pillows on the bed, the pillow of her chest. So cushy and comfy. I press and push with my tiny hands, and am startled when she cries out, “Ouch! That hurts!”
How can it hurt when it’s so soft?
This is the first time it occurs to me that what feels soft and cushy and good to me, might not feel the same way for her. That my pleasure can be her pain. It is epochal, this epiphany.
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How often I’ve played judge and jury in my own trials, and the case was always fixed!
You’re not a writer!
You’re not an artist!
You can’t sing!
Guilty guilty guilty!
Off with her head!
I submitted meekly, allowed myself to be imprisoned with nary a complaint.
Yet where was the evidence?
“Other people draw better.”
“I can’t write like Nabokov.”
“I’m not Sinatra.”
The sentence for these crimes: quit!
Clearly I needed a better defense attorney!
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The wax is warm as I press my hand into it. Warm and soft, sensual, forgiving.
Miss A tells me to hold my hand still, so I do, waiting patiently, a good girl.
When she says I can remove my hand, I pull it from the wax, cooler now, harder.
Then I skip off to the sandbox, or maybe the easels with their dull, powdery poster paints. Am I there when they pour the plaster? I don’t remember.
But a few days later I come home with a plaster casting of my hand print, which hangs in my parents’ bedroom for years.
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PS — Pssst! Know someone who might benefit from seeing this today? Pass it on!
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